Always listening
Capture keeps rolling while the view is held and while the editor is closed. Choose the history length you need and the RAM estimate updates with it.
An always-listening capture buffer. Find the good part, trim it and take it back into your session.
Try the demo in your DAW. Downloads & compatibility.
Own v1? Your upgrade is free.

CleanCut keeps a rolling history of the audio passing through it. Play, experiment and follow an idea. When something lands, it is already there to keep.
Keep a rolling audio history with take markers and a compact waveform strip that stays out of your way.
Select a range, hold the buffer and audition the moment before exporting.
Export WAV, FLAC or AIFF with trimming, fades, normalization and naming options. Drag into supported hosts or export and import the file.
A rolling history that finds takes as you play. Select a moment, audition it, keep the file.
Keep an improvised synth phrase.
Capture a happy accident in an effects chain.
Build a sample collection as you work.


On the track, after the instrument and effects, or on a bus that receives them. REC and the input meter confirm the host is sending audio.
The rolling history keeps the last 10 seconds to 15 minutes in RAM and finds takes for you as you go. Nothing to arm, nothing to remember.
Drag across the waveform and the view holds. Click a take chip, nudge the edges, then audition it against the live output before you decide.
Drag the selection into a track, or export WAV, FLAC or AIFF with trimming, normalisation, fades and dither, and use Reveal to import it.
Capture keeps rolling while the view is held and while the editor is closed. Choose the history length you need and the RAM estimate updates with it.
Threshold and hold decide what starts a take. Take chips line the bottom of the strip. Capture and Drop Marker are exposed to DAW automation.
The selection is mixed into the live output with short edge fades and never fed back into the capture. Auditions run up to two minutes.
WAV at 16, 24 or 32-bit float. FLAC and AIFF at 16 or 24. TPDF dither for 16-bit. Trim silence, gated loudness normalisation with a −0.3 dBFS ceiling, and name templates with date, time and tempo.
Zero latency and audio-transparent. The whole strip is the waveform, the header is a click-through overlay, and shortcuts hand keys back to the DAW.
Light or dark, with your own accent, waveform and playhead colours. Editor size and settings persist between sessions.
| FORMATS | VST3 · AU |
|---|---|
| HISTORY | 10 seconds to 15 minutes, in RAM |
| MEMORY | About 44 MiB per stereo minute at 48 kHz |
| EXPORT | WAV 16 / 24 / 32-bit float · FLAC 16 / 24 · AIFF 16 / 24 |
| PROCESSING | Trim silence · loudness normalise · edge fades · TPDF dither |
| LATENCY | Zero, audio passes unchanged |
| AUTOMATION | Capture · Drop Marker |
| AUDITION | Up to two minutes, mixed into the live output |
| VERSION 1 | Separate plugin identity; installs alongside |
Worth knowing. The history lives in RAM and is not saved in your project. Holding the view does not protect old audio from being replaced. Export what you want to keep.
Try the demo with your own material first. Activation removes the interruptions and keeps the plugin yours.
Native drag support varies by host. Where it does not, export the file and use Reveal to import it normally. The file is identical either way.
No. It is RAM only. Closing the editor keeps it, but removing the plugin, closing the host or changing sample rate or channel layout clears it.
Demo interruptions are applied before capture, so exported audio contains the same brief dips. Activation removes them.
They keep working. CleanCut 2 has its own plugin identity and installs alongside v1. If you own v1, the upgrade is free from your library.
Windows builds are 64-bit VST3. Mac builds are universal for Apple silicon and Intel, with VST3 and Audio Unit formats. Check the compatibility and installation guide before buying.
Windows requires Microsoft WebView2. Mac uses its built-in WebKit and needs no separate web runtime. Mac downloads currently use local signing and are not Apple-notarized; see the Mac installation notes.
Demo interruptions are applied before capture, so exported audio contains the same brief dips. Native drag support varies by host; file export is also available.
Downloads & setup